TELEVIEWERS are getting younger nowadays: 68% of viewers are between 16 to 25 years old, says the latest survey by the Association of Governing Boards-Nielsen Media Research.
To cater to the youth market, television companies have increased the number of youth-oriented television shows.
EVERYBODY loves a rebel and the recent Harry Potter and the Order of the Phoenix film undeniably banks on this fondness as director David Yates unleashes the boy wizard’s defiant mettle against the establishment.
As the fifth installment from J. K. Rowling’s bestselling novel franchise, Yates takes on the Herculean task of squeezing a 700-page novel to a screenplay running 200 minutes while keeping up with the epic story’s pace.
DESPITE his acclaimed artworks, businessman-artist Joey Velasco still doesn’t like to be labeled a painter. He prefers to be called a “heartist’.
“I make it a point that I experienced first what I feel strongly about before I paint something,” Velasco told the Varsitarian.
Indeed, Velasco uses his heart most especially in depicting the sad reality of the oppressed in most of his paintings. According to Antonio Meloto, executive director of Gawad Kalinga, Velasco’s paintings are meant to make their audience see the suffering of the unfortunate.
IS A MOVIE better the third time around? Not for Spider-Man 3 and Shrek the Third.
But yes, Pirates of the Caribbean: At World’s End works as a third sequel.
The Spider-Man series has generally been an excellent take on the character created by Stan Lee, transcending the stereotypical comic-book movie. The cast, led by Tobey Maguire as Peter Parker and Kirsten Dunst as Mary Jane Watson, have effectively pulled things off acting-wise. The first movie generated raves among the exacting comic-book fans and the second even fared better. The third, however, misses the mark.
What makes Spider-Man 3 disappointing is that it tries to squeeze in too many story lines, not to mention too many characters, all at once, which results in a very short time for character development.
SINCE the release of the first full-computer animated film, Disney and Pixar’s Toy Story in 1995, audiences have clamored fore more. A Bug’s Life, Antz, Finding Nemo, Shrek, and the upcoming Surf’s Up and Ratatouille have sought to satisfy that call.
“Compared to the hand-drawn, digital animation is more realistic and more attractive to moviegoers since it has better rendering and fluidity”, College of Fine Arts and Design professor Raymond Son told the Varsitarian. Son also did some freelance work for Fil cartoons, which is a subsidiary of Hanna-Barbera Cartoons and also produced, Meena, a Unicef animated series about gender inequality in South Asia.
Thomasians are no strangers to the lucrative but challenging field of animation. Advertising graduates Virginia Cruz Santos and Joe Mateo belong to the few who made it big in the world of digital animation.
FRESH out of College of Fine Arts and Design (CFAD), four Thomasians held their first major group exhibit, Urban Kaleidoscope, at the Fashion Art Gallery in Kamuning, Quezon City, from May 25 to June 15.
“Every one of us comes across things that we may not get,” CFAD alumna Lesley Lim told the Varsitarian. “And that’s what our pieces wanted to point out—each of us must be prepared for things that may happen.”
Lim’s “Cuckoo Clock” speaks of the artist’s attitude about the significance of time. Each of the bird’s call is equal to a human heartbeat, the painting seems to say.
In the watercolor “Undersea,” Lim presents life’s unexpected encounters through the image of a woman amid the haze of the intricate objects beneath the water. “Life is a wonderful gift, we must always remember,” Lim said. “That’s why every minute, every hour, and every day should be important for us, too.”
EVERYTHING happens for a reason, and for talented baritone Jesus Emmanuel “Nonon” Baang, entering in the Conservatory of Music after botching his enrollment at the College of Commerce was, in hindsight, a wonderful accident.
Having graduated from the Conservatory after 10 years as a student, Baang could not help but feel fortunate.
“When I entered the Conservatory of Music, I learned how to love music more and though it’s difficult, I found it more exciting and took it as a challenge,” Nonon said.
Baang started singing at the age of six when he formed the parish choir in Pagadian City, Zamboanga Del Sur, which should have paved the way for a career in music. But he had other things in mind.
“I wanted to follow the footsteps of my father who is a certified public accountant,” Baang told the Varsitarian. “I also wanted to take up law because we also have judges and lawyers in the family.”
A FLOCK of Thomasian nightingales accompanied by UST’s finest instrumentalists serenaded audiences with a repertoire of classical and modern Christmas carols during UST’s fifth Christmas concert, Symphony of Carols, at the Santisimo Rosario Parish Church last Dec. 7.
Besides celebrating Christ’s birth, the concert served as a channel to display the incomparable performing artists of the University.
“It is a way by which the University showcases the Thomasian talents and shares them with friends and other stakeholders,” said Giovanna Fontanilla, director of the Public Affairs Office.
Monsignor Joseph Edward Adams, the papal nuncio to the Philippines, led the diplomatic corps who were invited to the concert. Others in the audience were Wellington Wei, director of Taipei Economic and Cultural Office, and Vic Vianzon, ABC 5’s vice-president for programming.
LEAVING a conspicuous mark in the colorful yet competitive world of the arts is a daunting challenge. But Thomasian painter Arturo Rafanan Rabara had made an indelible dent not only in Philippine art but in the United States as well. Ironically though, he was given more recognition on foreign soil and it took his death for Filipinos to accord him the recognition he deserved as a major Filipino artist.
Born on May 13, 1938, Rabara hailed from Ilocandia, which has produced world-renowned visual artists such as Juan Luna, Esteban Villanueva, Macario Vitali, and Venancio Igarta.
As a young kid, Rabara showed creativity in little ways. As a shoe-shine boy, he crafted his own shoe box. In high school, he would do letterings for barangay fiestas. He also reaped honors in provincial and regional school art competitions.
INDUSTRIAL Design juniors have come up with 74 ways to keep the handicapped agile and the old quick-witted.
Marveleux (a French word which stands for “physical,” “quickly,” and “fantastic”), an exhibit at the Beato Angelico Main Gallery last September 25 to 29, featured 74 clever and creative board games made out of synthetic, organic, industrial, and recycled materials. The games are playful but therapeutic creations to engage the old and the disabled.
“We want to show how Industrial Design touches the lives of many people through the practicality and usefulness of its products,” said Myna Suñico, professor and department head of Industrial Design.