FILMMAKER Alpha Habon’s Cinemalaya debut film “Kaka sa Yawan” (Brothers by the river) delves into the complexities of culture and shared experiences, as a young boy navigates adolescence in a new province.
The full-length film picks up pace as Niko (Bryce Nicolo Mercader), a boy from Manila, meets Ayan (Dennis Datu), a Tadyawan from one of the distinct indigenous groups in Mindoro, the Mangyan.
Off to a rocky start, both eventually find their footing and unexpectedly become companions despite their differences.
Niko’s next-door neighbor Precious (Deanne Bautista), a stubborn and curious little girl, eventually becomes part of their little circle.
Now a trio, their bond is further strengthened by their willingness to learn and exchange each other’s cultures.
One summer day, while swimming in the river, the three shout their hopes, dreams, and promises underwater, in the belief that doing so can ground their wishes.
As time passes, the three work to help each other achieve their hopes, learning from one another along the way.
What is most notable about the movie is its cinematographic decision to manipulate its aspect ratio.
Having a non-linear storytelling theme serves as a subconscious visual cue for the audience as the narrative jumps between the past and the present.
Habon seamlessly integrates traditional music, from instrumental compositions to lyrical and vocal pieces, allowing the audience to immerse themselves in the film’s setting and the culture being portrayed.
The story does not shy away from tackling preconceived notions and misconceptions surrounding indigenous cultures; what would otherwise be taboos and difficult conversations are strategically addressed through the lens of children’s harmless curiosity.
“Kaka sa Yawan” delivers an authentic, relatable, and comedic approach to a typical coming-of-age film. It presents the multifaceted lived experiences of each individual while simultaneously addressing themes that are unique to indigenous communities.
In its final stretch, the film reminds the audience to look forward to the future, free from the weight of unresolved conflicts and inner turmoil of the past. Lianne G. Therese Espiritu
